Mya's retro Give It to You video looks like a nostalgia trip. It is actually the clearest argument yet for why her independent, ownership-first approach has kept her working for three decades.

Twenty-five years after "Uh Huh," B2K's comeback single "Mileage" proves the reunion is built to last, and Omarion's parallel solo run backs up the argument.

Tinashe's new album Popstar looks like a major label comeback. It is actually the closing argument in a twelve year negotiation she started the day RCA let her go.

Rick Ross, Steve Lacy, Syd, Ambre, Larry June, Masego, Nao Yoshioka, Lil Baby and Pharrell Williams, MudBaby Ru, and Real Boston Richey headline the busiest New Music Friday of the summer, and the slate splits clean down the middle.

Hip-hop still leads U.S. streaming, but Luminate's 2026 numbers show Latin music and country closing the gap fast. Why the real threat isn't volume, it's a fading superstar pipeline.

Two solo albums missed the charts. Then Timbaland DMed her. Inside the "Main Attraction" video and the case it makes for Chlöe's solo era.

R. Kelly has formally asked Trump to commute his 30-year sentence, and his legal team's pitch borrows the president's own persecution narrative while the music industry stays conspicuously silent.

Remy Ma's playful new video for "Put Em On" isn't a departure from her sharper side. It's proof a 20-year veteran never had to choose one register over the other.

Tank's new single 'Yes' reimagines Floetry's 'Say Yes.' Beneath the homage sits a bigger story: 11 Adult R&B Airplay No. 1s, a Hulu role, and two decades of staying power most artists only talk about.

Album two is where the internet decides whether it loved the artist or just the moment. Why GloRilla's refusal to overthink her follow-up is exactly right.

Jay-Z broke Yankee Stadium's attendance record twice in a weekend. The freestyle everyone is quoting was a magic trick. The real story is what the residency template means for hip-hop's next decade.

Madonna's tenth U.S. #1 is not the story. The story is the three things she got right that legacy artists in Black music keep half-doing.